Rent Grand Canyon (1991)

3.4 of 5 from 68 ratings
2h 8min
Rent Grand Canyon (aka El corazón de la ciudad) Online DVD & Blu-ray Rental
  • General info
  • Available formats
Synopsis:
When a lawyer's (Kevin Kline) car brakes down in a dangerous Los Angeles neighbourhood, a tow-truck driver (Danny Glover) arrives just in time to save his life. The two men begin a deep friendship that sets off a chain of unsettling and surprising events involving their families and friends for years to come.
Actors:
, , , , , , , , , , , Destinee DeWalt, , , , , , , ,
Directors:
Producers:
Michael Grillo, Lawrence Kasdan, Charles Okun
Writers:
Lawrence Kasdan, Meg Kasdan
Aka:
El corazón de la ciudad
Studio:
20th Century Fox
Genres:
Drama
Collections:
Top 10 Golden Bear Winners, Top Films
Awards:

1992 Berlinale Golden Bear

BBFC:
Release Date:
06/05/2002
Run Time:
128 minutes
Languages:
English Dolby Digital 4.0
Subtitles:
Croatian, Czech, Danish, English Hard of Hearing, Finnish, Hebrew, Hungarian, Icelandic, Norwegian, Polish, Portuguese, Swedish, Turkish
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Widescreen 2.35:1
Colour:
Colour
Bonus:
  • Original Theatrical Trailer
  • Featurette

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Reviews (1) of Grand Canyon

Crash Test Dummies - Grand Canyon review by griggs

Spoiler Alert
26/06/2026


Kevin Kline’s car breaks down in a rough bit of LA and Danny Glover turns up to tow it, and that’s basically the whole engine of this one — coincidence doing the job the plot should be doing. Lawrence Kasdan clearly means well, and I reckon that’s actually the problem.


Kline gets a string of gentle epiphanies, most of them borrowed from other people’s worse days. Glover, meanwhile, gets stuck playing the wise one again, which felt tired even back in 1991. Steve Martin has the one properly sharp idea in the whole film, playing a producer who survives a shooting and swears off violent movies — and then the script lets him quietly change his mind by the end, like it lost its nerve.


Kasdan basically invented the template Crash would later run into the ground, fourteen years on: earnest, overlapping LA lives, race handled with a sledgehammer. Crash at least committed fully to that sledgehammer, wrong as it was. This one’s softer all over, which somehow makes it the one nobody talks about now — funny, given it picked up the Golden Bear at Berlin, while Crash walked off with the Oscar.


Not boring, a few scenes genuinely land. Everyone in it gets taught a lesson, audience included.


1 out of 1 members found this review helpful.

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