Superbly tense, wonderful footage of steam trains, and very atmospheric. We think Hitchcock must have admired this classic film because there are parallels in his work.
Thank you Cinema Paradiso for sourcing this one.
Mel and Alice
La Bête Humaine really got under my skin. Based on Zola’s novel, Renoir’s film is a tragic love triangle wrapped in the screeching metal of modernisation. It was noir before noir had a name. The first 30 minutes take their time setting the scene, but it's properly gripping once the plot kicks in. What starts as a murder story becomes something darker — about obsession, violence, and people trapped by their own urges. It’s rough, emotional stuff, and Jean Gabin is brilliant as the tormented train driver. Murder, madness, and machines — it’s all there, clattering along like a runaway train.