Rent Suspiria (1977)

Spoilers follow ... - Suspiria review by NP

Baby-faced student Suzie Bannion (Jessica Harper) travels to a German dance-school which becomes a living nightmare for her. A selection of disco-lit killings take place before a peripheral character explains the origins of the place, and why it has become such a location of terror.

The unforgiving rain, faces staring, the darkness of night - all these things and more are accompanied (or drowned out) by the relentless, driving musical score. When the soundtrack is not present, it comes as a relief. So huge and all-encompassing is this crashing music that it all but smothers everything, especially the performances. And when something truly dramatic and horrific happens, the accompaniment storms back once again bringing with it an overpowering effect that works against proceedings rather than enhancing them. Equally the sets, so rich in colour and pattern clearly win the fight with the actors in arresting the attention – sometimes effectively, providing a lush, poetic, dreamlike environment, and others simply far, far too decadent not to work with the soundtrack in inducing a migraine. I can understand the intention to make everything heightened and not-quite-real, but whilst it sometimes works, often it is too loud and too much.

The character who does the most to make an impression amidst all around her is Miss Tanner, formidable gravel-voiced dance-instructress. Croatian actress Alida Valli plays her with a prison-officer deportment and ensures Tanner is every bit as fearsome as her reputation within the school suggests.

I’ve seen this described as a terrifying masterpiece of Italian cinema, but the overall effect, although commendably original, is mostly lost on me. Perhaps I prefer something slightly more subtle. That said, the last 15 minutes racks up the horror content rather and ensures that the experience at least ends on a high.

A 1977 Italian (in English) Grand Guignol Horror with a Synth Soundtrack - Suspiria review by PV

There is something in Italians - and the Spanish - which seems to make them rather blood-thirsty in their art. Look at the paintings of Goya. The French call it 'Grand Guignol' - and there's a lot of that here, lots of ketchup-coloured fake blood and, no doubt, what critics would now call exploitation of young pretty women who get 'done in'.

The first time I tried watching this, I turned off after around 10 minutes as it was too bloody and I wasn't in the right mood. Later I watched it all the way through - and it's a very 'of its time' 1970s Horror flick which the Italians churned out in that decade. Not half as clever as it thinks it is though. It is, at the end of the day, trashy horror with an absurd plot and often cartoony characters. Like Hammer Horror but pushing the boundaries of what the censor allowed in the 1970s but giving it 'Sam Pekinpah' levels of gory blood-soaked scenes. It is what it is.

One note on the music - a very radical, for the time, synthy soundtrack which o doubt sounded hyper-modern and cool at the time, but which now sounds very dated: nothing ages so fast as a vision of the future. I still enjoyed it though.

Perfect for the 1970s theme party/film night.

3 stars

Don’t go to ballet school - Suspiria review by HW

An entertaining 70s horror, with sumptuous sets, a thrilling synth-rock score and stark use of sound, colour and violence in certain scenes. I was actually surprised by how simple the plot was, when you’ve got such an original and cultured setting for a horror film as a dance academy. Witchcraft is simply presented as a destructive, controlling force of evil. At least the medley of beautiful young actresses aren’t overly sexualised, as you’d expect for a horror. I’d be interested to see what the remake did with this film’s material.