Sexed-up Downton Abbey for the 21st century in the Moroccan desert
- The Forgiven review by Philip in Paradiso
A married couple, David and Jo Henninger (Ralph Fiennes and Jessica Chastain, excellent), travel to Morocco. The relationship between the 2 of them is tense and unhappy. They rent a car to cross the desert to a luxurious villa where an old friend of David's is organizing a party for a select group of guests, who are into drugs (cocaine), heavy drinking and sex. On the way, David accidentally hits and kills a young local teenager, who seemed to have wanted to stop the car in order to sell some souvenirs to the couple. The movie develops from there. David, more particularly, is caught up in a chain of events that will challenge and test him.
There is something strangely neo-colonial in the setting of the film, which feels almost like the 1930s or 1940s rather than the 21st century: privileged upper-class British, European and American 'creatives' and others gathering in a sumptuous villa, served by the local Moroccan staff. There is also a whiff of depravity about the guests and the gay couple hosting them - a motley crew who are, mostly, as you would expect, jaded, blasé, sarcastic, hedonistic and cynical.
And yet, thanks to the story line, through David's experience, the film does attempt to explore the nature of the interaction between the Westerners and the Moroccans, who are not, therefore, reduced to the status of bystanders in their own country, as often in this kind of story. The result is an unsettling film. It is not devoid of clichés, and yet it is interesting and thought-provoking. Overall, a good film, thanks also to the extremely good acting of the 2 lead characters, David and his wife.
2 out of 3 members found this review helpful.
Brilliant dialogue
- The Forgiven review by DL
The dialogue is excellent throughout, fairly slow but a very good watch and highly recommended.
2 out of 3 members found this review helpful.
Interesting If Disjointed Drama
- The Forgiven review by GI
A compelling yet strangely uneven and frustrating dark comedy thriller about being humbled within a conflict of culture narrative. Set in Morocco the story centres on alcoholic David (Ralph Fiennes), a boorish racist and his younger and very bored wife, Jo (Jessica Chastain) who are driving to a lavish party being held by an eccentric gay couple (Matt Smith & Caleb Landry Jones) at their huge desert located villa. On the way, David, drunk and arguing with Jo, hits and kills a local boy. The ramifications of this sets off the chain of events as David is semi forced to accompany the boy's father back to his village. In many ways the film is a bit of a hit and miss as it always seems we're denied more detail. The debauchery at the party conflicts with the austere locals as the cultural differences are highlighted almost begging for a climactic explosion. At the same time we follow David's plight as he is humbled before a grieving father and he doesn't know whether violence is coming his way. Fiennes is wonderfully odious as David and Chastain really zings as his wife who, finding herself without her husband decides to enjoy the party!! The film is neatly well balanced between the two centres of the narrative and yet at times it feels a little hurried and unfulfilling and yet, ultimately, it's a film worth checking out.
1 out of 2 members found this review helpful.
Well-written/acted Satirical Drama Set in Morocco with Some Crackling Dialogue & Stunning Scenery
- The Forgiven review by PV
I did not expect much from this film but actually really enjoyed it and was so hooked I did not notice time passing - the magnificent scenery and colonial-style weirdness was visually impressive, and the dialogue is crackling and cutting at times. I already knew about the fossils trade in that part of the world courtesy of David Attenborough haggling for a trilobite on some TV show years back, but it was interesting to see it explored as a backdrop to the story nonetheless.
I guessed it was from a novel instantly - by Lawrence Osborne (b1958), a poshboy upper class British writer who';s lived a nomadic life in many countries incl Morocco (a bit like posho rich kid William Burroughs and other 20th C GRAND TOUR of sex n drugs types).
One point I think is missed by some is that this is a satire of upper-class privileged types - and as the author is from that set himself, he can accurately satirise them albeit in an OTT way. The City traders, ladies and gentlemen of leisure, the hippychick greenieweenie posh totty, the druggies, the camp ruling class establishment queens living spoilt silly lives,they all ring true. The ONLY thing that is not realistic is the complete lack of black/brown characters in that set - go to ANY famous public school like Eton and you'll see 25%+ faces are not 'white' now.
Some dialogue is memorable, probably taken word for word from the novel. The acting is believable, and the characters. Matt Smith does well and Ralph Fiennes is perfectly cast as the cynical world-weary alcoholic. I guessed the ending at the start, but so what? The ride was enjoyable if not joyful.
I'd advise everyone to watch the excellent 2023 Moroccan movie HOUNDS which depicts city life, complete with drinking alcohol, Western clothes, sex, which many wrongly assume do not exist in Muslim countries as they're so used to seeing hardcore Pakistani Muslims praying 5 times a day now in the UK and promoting the sort of ascetic miserabilist devout Islam that exists in villages and rural areas only in many Muslim countries really.
4 stars
0 out of 0 members found this review helpful.
White privilege moral fable
- The Forgiven review by PD
This one's a thoroughly enjoyable watch, but once you've gone away and thought about it, it's also one of those that obviously overstates its case on the theme of 'toxicity of white privilege and wealth'. You can see what writer-director Jon Michael McDonagh is aiming at, but unfortunately his subtle-as-a-flying-mallet portrait of the western guests in Morocco is all too obvious, which of course merely dissipates the intended impact, as does the plot-twist ending, which is is all wrong and merely makes what went before less effective. Meanwhile, Ralph Fiennes' David's racism, misogyny and general prejudices are a good deal more convincing than his attempts at an Ivan Illyich - style redemption, so the film is weakened as a result, and when you add onto this a very awkward Jessica Chastain as David's wife Jo - whose reaction to a sudden death and a failed marriage remains beyond the scriptwriters - you get a very uneasy muddle. Overall, the deliberate contrast between the ugliness of privilege and the beauty of the film’s slick luxury aesthetic is frustratingly superficial and predictable, with the result that, as a moral fable, this piece offers little genuine critique, I'm afraid.
0 out of 1 members found this review helpful.
Boring and instantly forgettable
- The Forgiven review by Alphaville
A bunch of contemptuous westerners have a party at a house in the Moroccan desert to celebrate a gay partnership. Two of them accidentally run over and kill a local boy on the way there. You’d run a mile to avoid these people, so watching them while away the time is excruciating. Although proficiently directed and with some cutting dialogue, there are virtually no character arcs and no-one here to care about. If it has any message it’s Brits bad, Berbers good. The end.
0 out of 0 members found this review helpful.
Easily forgotten
- The Forgiven review by JP
A good cast and interesting scenery, but this film had so many holes in the plot. We really didn't understand why the writer and director thought the audience would buy some of the time sequences. The story got tiresome after awhile. One bright spot was the interchanges between the Moroccan servants.
0 out of 0 members found this review helpful.