Bowie looks fantastic as the alien corrupted by an invasive humanness. Though in acting terms he is outclassed by the supporting cast. Beautiful photography, and Bowie is brilliantly cast, his awkward, remote strangeness are huge positives. And Roeg was a great director in this decade. A little long, and most of the best scenes are in the first half.
A rich, compelling and enigmatic science fiction film from director Nicolas Roeg. This is one of the great science fiction films of the 1970s and often underrated due to its complex structure and narrative. Perfectly cast, David Bowie is Thomas Jerome Newton an alien from a planet dying through drought. Having left his family behind Newton has travelled to Earth in order to take back precious water supplies. To do this he builds a multi-billion dollar corporation that he then attempts to use to build a spacecraft for the return home. He is thwarted by a shady organisation trying to protect the economy of the world from the dominance of Newton's company and it's power but also by his exposure to human vices especially alcohol and sex. The story unfolds through Newton's relationship with Mary-Lou (Candy Clark), a humble hotel valet who becomes his lover and introduces him to drink and debauchery. There's lots to observe in this film which, on first viewing, will baffle and confound, and I always advise first timers to just go with the film and not try to unravel it's sub-texts and meanings as many will remain a mystery. This is typical of Roeg and many of his films are complex and defy easy analysis. But The Man Who Fell To Earth is a powerful film with themes of corruption, human greed and vice. It has some quite extreme sex scenes for it's time and the big reveal of Newton's true form remains a quite horrific and unsettling scene. With Rip Torn as a scientist who works for Newton and begins to suspect what he really is and Buck Henry as the lawyer who helps him set up the corporation this is a great film. It won't be what you'd expect from a normal science fiction film but it will leave an impression.
This film failed to capture the subtlety, power, and suspense of the novel.
Bowie's other-worldliness was directed as understated behaviour. The female lead was modified to cast a much younger woman, presumably to sex-up the story. Bowie can be very powerful, e.g. in Labrynth, when properly directed.
Bowie's dramatic arrival on earth was well handled, considering that the film dated from 1976. Shots of the family left behind were primitive however. Continuity was poor and the narrative too obvious.