



A fantastic film dealing with post Vietnam vets and the women in their lives. A thoughtful insight into how war affects the psyche of men and women. Terrific performances from the three leads, especially Fonda picking up the Oscar for best actress for her endeavours.
Hal Ashby somehow pulls off the impossible: a film so upfront about its politics that it never feels like it’s lecturing you. Coming Home is loose, warm and deeply human, so the Vietnam-era anger flows through you rather than at you.
The soundtrack is wall-to-wall period gold, but it’s the performances that bring it all the way home. Fonda is magnetic. And watching Jon Voight here made me mourn seventies Jon Voight before Trump and the culture wars melted his brain — soulful, vulnerable, politically engaged, and extraordinary.
Not quite a masterpiece, but close enough that walking away feels like a betrayal.