Even before WWII was over, UK films began to reflect nostalgically and mythologise. Anthony Asquith and tail gunner/scriptwriter Terence Rattigan search among the ruins of an abandoned airfield, the camera seeks out memories from the derelict huts, the traces left behind by flyers and mechanics between 1940-44.
Then we're back to the Battle of Britain and the jeopardy, the sadness of the pilots who don't come back, hidden by the survivors behind a stiff smile and an aphorism. The officer class. Like Flight Lieutenant Michael Redgrave, mourned by his widow in a heartbreaking performance by Rosamund John.
Much of the story takes place in the local hotel, where the pilots unwind, bothered by resident pub bore Stanley Holloway. In 1942 the Americans arrive and John Mills and Basil Radford are joined by Douglass Montgomery and Bonar Colleano and much cultural misunderstanding ensues.
Still the eyes from the ground raise skywards and count the returning planes. It's a powerfully moving film of stoicism and sacrifice. There is zero analysis of what peace might mean. Instead, there is a palpable sense of relief. The nation survived. Try getting through it without spilling some big fat tears.
This is one of a series of British war films made during the Second World War and designed to show the viewing public a morale boosting view of military life although this one takes things a bit further and follows a melodrama style story. It's set on an RAF bomber base in southern England beginning in 1940 and initially follows the trials and tribulations of a small group of RAF Blenheim bomber crews as they face life and loss. Led by Michael Redgrave as the caring commander and involving the, at first novice but later battle fatigued, Flying Officer Penrose played by John Mills. This is not a film that follows the characters into combat but relies on the effects of their roles on those left behind principally friends and lovers who congregate in a small country hotel near to the base. Eventually the base is passed over to American crews and the same story lines continue and in one the film is actually quite risqué for its time in suggesting an adulterous relationship between an American pilot (Douglass Montgomery) and the hotel owner (Rosamund John), whose husband was killed on an operation. Like all these films made in the UK during this time there's a delightful sense of the times and the film oozes with nostalgia. The cast includes early roles for Trevor Howard and Jean Simmons as well as some very regular British actors of the day. A film to seek out if you have a fondness for these war dramas from the 1940s/50s, it certainly is an interesting film and a delight to watch the various aircraft scenes.