



Vampire Hunter D: Bloodlust comes with a massive reputation, and yet I spent most of the runtime trying to work out what was going on.
The gothic world-building is genuinely impressive, and the character designs have real visual ambition. The trouble is, Vampire Hunter D: Bloodlust drops you into what feels like chapter fifteen of a much longer novel — vampires, mutants, bounty hunters, psychic powers, sci-fi technology — and assumes you’ll keep up. D himself is more icon than character: a brooding silhouette borrowed from a mythology I was apparently meant to have read already. Leila and the Marcus Brothers are considerably more interesting, which probably tells you something.
The action scenes look busy rather than exciting, and the animation, while technically impressive, frequently defeated me. The atmosphere works. Emotionally it leaves you cold.
Maybe this makes more sense if you’re already fluent in anime grammar. If not, this probably isn’t the place to start.