For a while, this looks like a careful, patient study of a refugee family pretending their way into an ordinary life on a French housing estate. Then, somewhere past the hour mark, Jacques Audiard swaps the notebook for an action manual.
Antonythasan Jesuthasan plays it coiled and calm, like a man holding his breath. Kalieaswari Srinivasan holds her own, and the details — a new language, a fake marriage turning slowly real, a daughter working out who she’s supposed to be — land better than anything that follows. I liked watching them fake a family. The shootout after did less.
What sticks is watching these three learn how to live again. The late swing into men solving problems with guns feels like a different, lesser film.
Fabulous story, beautifully filmed and acted. Emotionally moving script that felt authentic. The move of refugees from the frying pan into the fire. Brilliant.
We have enjoyed films directed by Jacques Audiard before and this lived up to the reviews and his reputation. The story of a Tamil Tiger, Dheepan, washing up in a lawless estate in France with a ready made family was beautifully realised. The acting was superb and had a naturalistic feel.