Rent Eighth Grade (2018)

3.8 of 5 from 74 ratings
1h 34min
Rent Eighth Grade (aka The Coolest Girl in the World) Online DVD & Blu-ray Rental
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Elsie Fisher stars in this coming-of-age comedy drama written and directed by Bo Burnham. The story follows the life of Kayla Day (Fisher) as she enters into the final days of eighth grade. Struggling with social situations, often getting anxious around her peers, Kayla makes videos about her feelings and experiences which she posts online, but nobody sees them. Even when she is invited to a pool party by one of her classmates, she finds it difficult to fit in, so Elsie makes a decision to change her life, starting by getting rid of things that remind her of the past.
, , , , , , , , , Nora Mullins, Gerald W. Jones, , , , Thomas John O'Reilly, , , Tiffany Grossfeld, , Trinity Goscinsky-Lynch
Voiced By:
Malachi Omega
The Coolest Girl in the World
Comedy, Drama, Coming Soon
Release Date:
Coming soon
Run Time:
94 minutes
Release Date:
Coming soon
Run Time:
95 minutes

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Critic review

Eighth Grade (aka The Coolest Girl in the World) review by Mark McPherson - Cinema Paradiso

With no shortage of coming-of-age teen dramas on the rise, there’s a lot of pressure to raise the standards of how relatable these types of films can be. Eighth Grade is a film with an incredibly firm pulse, favoring youth that feels identifiable with a story that touches deep. A tricky balancing act but one that first-time director Bo Burnham pulls off with a remarkable grace as one of the finest films of 2018.

Elsie Fisher perfectly plays the eighth-grader Kayla Day, caught up in that weird void between childhood and growing up. She has lots of zits, loves being active on social media, and is very curious and awkward about her sexual awakenings. She wants to be seen with the older, cooler kids but isn’t sure if she’s ready. She wants to be romantically involved with a boy but becomes uncomfortably stammering when he asks if she gives decent blowjobs. Curious if she can, she starts looking up videos on blowjob techniques and try it out on a banana, an experiment that is quickly halted when dad enters this room.

Oh, but dad isn’t a mere bumbler that doesn’t understand. Josh Hamilton plays perhaps one of the most lovable, patient, and understanding of dads trying to deal with his daughter in a delicate yet affectionate manner. He tries to keep conversations light and cheerful without being too embarrassing but Kayla has far too much on her mind. Concerned with boys at school, gossipy girls, and deeply terrified of taking the next step in everything from school to relationships, dad only seems like an obstacle to her. When locked into social media or staring at a boy she likes, the world disappears and her mind blocks out all audio as she likes the latest post, reads the latest article, or chats with a new friend. She also dabbles in video, recording a diary of sorts that becomes a bit painful for her to go back and watch after all these years.

Burnham pulls off an astounding feat of a picture that does an ample job connecting with both young students and well-meaning parents. Kayla’s routine and school banter feel natural for how off-putting it makes her feel and speak when it comes to handling the oddities of being at that certain age, when the shackles of childhood are just begging to be ripped apart. You don’t have to know all the trends to relate to being so uncomfortable at a party you call for your dad to pick you up pronto. You also don’t need to be up on Rick & Morty to see how easily Kayla eventually connects with someone that genuinely likes her outside of the typical social circles. Of course, Hamilton’s performances is very relatable, especially for the film’s fantastic climax of him admitting truly how much he loves his daughter, remarking how she doesn’t even know the lengths of his pride, even when she seems to shove him away at every turn.

Eighth Grade was rated R by the MPAA for its language but there was a national push in America for teenagers to go see this film as relatable subject matter. Despite the naysaying of some parents, I must admit to the impact of the campaign; tweens talks this way and think this way. Perhaps not as overt or even subtle as Kayla’s but these thoughts linger. And for a film to not only admit to this uncomfortable aspect of growing up but also find warmth and ease of its transition is what makes this coming-of-age film one of the best of its kind of the decade.

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