The first of seven horror anthologies by Amicus intended to break into a UK production market utterly dominated by Hammer. The five original stories by studio boss Milton Subotsky are not on the level of later script ideas by Robert Bloch, and are extremely derivative of the old favourites.
So there are vampire and werewolf tales, and even one about a disembodied hand! Most memorable is the newer concept of a house invaded by a sentient killer vine... This stars radio dj Alan Freeman! Then Roy Castle turns up as a nonchalant jazz trumpeter menaced by Caribbean voodoo.
There are also the horror stars of the period, with Christopher Lee pursued by the severed body part. The standout is Peter Cushing as the mysteriously accented Doctor Terror who relates the malign fate of his fellow passengers on a steam train to hell via his well thumbed deck of Tarot cards.
A decade later, this would be made for tv, but in 1965, the Technicolor and Techniscope format made it worth leaving the house. Oscar winning cinematographer Freddie Francis directs with gusto. But the big shocker is how much Michael Gough resembles future horror star Nigel Farage- aargh!