Rent You Were Never Really Here (2017)

3.1 of 5 from 1015 ratings
1h 26min
Rent You Were Never Really Here (aka A Beautiful Day) Online DVD & Blu-ray Rental
  • General info
  • Available formats
Synopsis:
From celebrated British director Lynne Ramsay (We Need to Talk About Kevin), 'You Were Never Really Here' is a powerful and intensely thrilling reworking of the crime genre. A tormented but brutal hired gun sets out to rescue a young girl from a sex ring, only to find himself weathering a storm of violent vengeance when matters go awry. Featuring a career best performance from Joaquin Phoenix as a solitary and deeply troubled underworld mercenary, 'You Were Never Really Here' is a stylish and brutal tale of vengeance and corruption.
Actors:
, , Larry Canady, , , , , , Edward Latham, , , Denis Ozer, Tia-Sophia Bush, , Annie Mac-Yang, Lilian Tsang, , Rose De Vera, Tian-Lan Chaudhry, Ryan Martin Brown
Directors:
Producers:
Rosa Attab, Pascal Caucheteux, Rebecca O'Brien, Lynne Ramsay, James Wilson
Voiced By:
Cristina Dohmen
Writers:
Jonathan Ames, Lynne Ramsay
Aka:
A Beautiful Day
Studio:
StudioCanal
Genres:
Top 100 Films, Drama, Thrillers
Awards:

2017 Cannes Best Actor

2017 Cannes Best Screen Play Ex-aequo

BBFC:
Release Date:
02/07/2018
Run Time:
86 minutes
Languages:
English
Subtitles:
English Hard of Hearing
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Widescreen 2.35:1
Colour:
Colour
Bonus:
  • You Were Never Really Here: From Book to Film
BBFC:
Release Date:
02/07/2018
Run Time:
89 minutes
Languages:
English Audio Description, English DTS-HD Master Audio 5.1
Subtitles:
English Hard of Hearing
Formats:
Pal
Aspect Ratio:
Widescreen 2.35:1
Colour:
Colour
BLU-RAY Regions:
B
Bonus:
  • You Were Never Really Here: From Book to Film

Rent other films like You Were Never Really Here

Found in these customers lists

Reviews (30) of You Were Never Really Here

Taxi Driver meets Leon directed by Sophia Coppola - You Were Never Really Here review by RW

Spoiler Alert
20/07/2018

I'm not entirely sure what was going but it was done with style and beauty. Visually it looks great and the score by Johnny Greenwood was fantastic. It's not a mainstream film as it deals more in emotions and trauma and with most off the violence hidden away out of shot it's not for those after torture porn kicks. Short but very sweet I think I will have to investigate the novella it was based on.

9 out of 12 members found this review helpful.

The worst film I've ever seen! - You Were Never Really Here review by GK

Spoiler Alert
20/07/2018

This has got to go down as one of the worst films I've ever seen!

You can't hear/understand half of what's said.

The story doesn't explain itself and nothing seems to happen.

Don't waste 90 minutes of your life on this!

8 out of 14 members found this review helpful.

Not Great - You Were Never Really Here review by Doug

Spoiler Alert
17/07/2018

I found this film to be very strange indeed and the people he kills and hurts you don't actually see this happening properly I expected this film to be very good in fact its very poor Not recommended

5 out of 10 members found this review helpful.

He was there, I saw him mooching around... - You Were Never Really Here review by DS

Spoiler Alert
16/02/2019

Certainly this is Taxi Driver for the 21st century but with director Lynne Ramsey’s distinctive stamp all over it. We stil see wet, seedy, dark locations as Joe traverses the underbelly of society but this is juxatobpose by bright, clear, colours and well-lit scenes. Joe is multilayered and fair from being portrayed as a somewhat likeable pyscho or even unlikealbe one he is shown, and amazingly acted by Phoenix, as a basically normal man with huge flaws. He has a disasterious past that bubbles to the surface from time to time, he is horrifyingly violent but only in when the circumstance arises, other than that he’s a somewhat scruffy, beardy bloke, you might pass on the street.

Sure the film is slow past with plenty of shots of Joe ‘thinking’ or wandering about, the flashbacks are cut-editted in, I liked this but I can see how others would get confused or irritated but let’s think about this. It’s slow-placed, a bit boring, so there aren’t enough flashy, explody, bang-bang-bang films out there for you? This is the opposite. You can drink this without scolding your lips.

The story is shockingly violent. Violence seams throughout the running time like some precious ore yet Ramsay very clearly says right from the beginning she’s not interested in the violence despite it being part of the life-blood of the film. In a lesser director’s hands I could have watching arterial spurting, brain splattering and hearing bone-crunching sounds alongside screeching and screaming. With Ramsay we see it remotely, in black and white through security cameras, or the aftermath, which is a bit gory, or it is entirely implied. I wish more film-makers did this, torture and gore porn have never been mine thing and worries me that so many people seem to get a kick out of it when at times it seems to he the only reason for the film – but I digress.

Joaquin Phoenix as Joe is centre and stage and fills the screen as a big bear of a man who seems on the outside normal although clearly troubled. all other roles and actors are bobbing in his wake. With this type of presence on the screen you need an actor with big shoulders to carry you and with the mercurical Phoenix, Ramsay got her man. Few other actors could have had the screen presence to carry this and the film would have been very different without him.

As a story You Were Never Really Here is actually as straight forward conspiracy that goes to the very top story with a loner tough-guy sorting it out but give it an actor and director and the top of the games, let them twist the plot and pacing the way they want it to go and you get something that is greater than the sum of its parts.

‘The man with the ball pane hammer’ will not be for everyone but if you give it a chance, maybe view it in the right frame of mind and perhaps watch it more than once you will see more than you first thought you did. It is good.

Finally like Taxi Driver is there a subtext to tell what is happening throughout the film – the title, the final scenes, well it should get some debate going but in the end you make your own mind up as you should with all good films.

2 out of 2 members found this review helpful.

Critic review

You Were Never Really Here (aka A Beautiful Day) review by Mark McPherson - Cinema Paradiso

Imagine if someone was given the keys to the Taken franchise and given full reign to reboot the formula into something better; a movie where the quest for a missing girl wasn’t as simply portrayed as a predictable series of shootouts and showdowns. Kills are met with a grit and fear for the taking of life rather than points on a scoreboard. Actions are carried out in a very refined manner so our eyes are always led rather than blurred. In other words, everything that a hitman revenge picture can and should be.

Part of the appeal is that writer/director Lynne Ramsay put more faith in our eyes for visual clues than our ears for banal action movie babble. We’re introduced to the hitman Joe, played by a mostly silent and fully-bearded Joaquin Phoenix, as a simple man with a dark past. He lives with his ailing mother, sharing small smiles amid the television. Joe keeps his work quiet, using few words with his clients and not a peep with his targets. When not on the hunt, his mind is a mess of flashes about murder during war and suffocation of children, memories from his past that he struggles to keep at bay, relegated to quick shouts of terror through his head.

His latest mission seems like a standard one of retrieving a kidnapped senator’s daughter. And even though it will eventually lead into a bigger plot where Joe becomes a target, I expected this route as well. No matter. Joe rolls with the punches with little more than a hammer from the hardware store. His colleagues will become targets in a political conspiracy of murder, but Joe isn’t interested in peeling back all the layers of the why with the worst of humanity. He can only see a man who needs killing and a girl who needs saving.

I love the way Ramsay approaches nearly every scene. Take for example the violent scenario where Joe works his way up an apartment building brothel, killing his way to the girl. Action movies have conditioned us to see every juicy money shot, but Ramsay keeps the massacre somewhat tasteful and terrifying with a distance. Most of Joe’s kills are either off-screen or hidden and blurred as we watch the carnage unfold almost silently from security camera footage. This may make the film seem like a tease, but it actually breeds a grander sense of anticipation. There will be other scenes where the camera gets closer with grittier violence, catching us off-guard for one of the bloodiest and most brutal scenes that smacks one over the head with the same force of the Joe Pesci’s execution in Goodfellas.

Every kill feels as though it means something, focusing on the life that leaves the mortal coil. Joe doesn’t merely kill and move on, lingering long on someone who was once moving and now lies a shell. When two assassins enter his home, he wounds one of them to live long enough to talk. But rather than end his misery, Joe sits with him and gently starts singing. The two continue the song until one of them is no longer for this world. Joe wants to hold onto life, for as hard as it may be as suicide continues to plague his thoughts like a nagging itch begging for an easement.

Few action films are ever this contemplative with the chaos, favoring the blood be pumped rather than take in the situation. You Were Never Really Here lets us inside Joe’s mind, showcasing that there’s more behind the beard and bullets than a ruthless killing machine. It’s easily one of the best roles for Joaquin Phoenix who tells us so much about this fractured figure without so much as a word.