



The film is long and fairly dull but my biggest issue with it was the audio which made their drawling dialogue even less comprehensible.
I've almost never resortd to subtitles before but found them necessary here.
Clearly Michael Mann hopes to recreate the success of Heat by throwing two major actors against one another in Public Enemies. The attention to detail and recreating the period is impressive, with epic sequences and gun-play in this huge production. What holds back Public Enemies from the heights of Heat and its rivals is the director himself. A sprawling, obese script threatens your interest levels. Mann also makes dubious use of handheld shots that feel out of context and badly implemented. In the hands of Martin Scorsese, Public Enemies would have been a much better film than this, which is way off target.
Any of Michael Mann's films are worth your time. He has a unique style and this period crime drama is no exception. Thematically it follows other Mann films like Heat (1995) in its study of two men on opposite sides of a moral divide although Public Enemies concentrates on recreating historical incidents even though many have been fictionalised for the film. This also boasts Mann's distinctive editing and use of hand held cameras with low and oblique angle close ups. Essentially this is a gangster film set in 1933/4 during the Great Depression and follows the exploits of arch bank robber John Dillinger (Johnny Depp) who becomes Public Enemy No1 and sort after by the FBI whose boss, J. Edgar Hoover (Billy Crudup) wants caught to boost his plan to get more funding. He appoints Melvin Purvis (Christian Bale) to head up the Chicago office to catch or kill Dillinger. There are some stunningly filmed and very well executed action set pieces of bank robberies and prison escapes and intermixed is a romantic sub plot between Dillinger and Billie (Marion Cotillard) who is a little underused in the film. But the cast is impressive including Jason Clarke and Stephen Graham doing another of his psycho criminal routines as Baby Face Nelson. There's also cameos from Carey Mulligan and Channing Tatum too. The film has a highly detailed authenticity to the times and Depp is fantastic in the role of Dillinger. Mann has chosen to use digital cameras which is a bold choice for a period film but it gives the film a modern resonance and immerses the viewer in the action. The criminal as romantic anti-hero has been a well worn character trope throughout American cinema but here Mann has taken the cinematic and interwoven it into an historical crime drama. A first class modern crime film that is definitely a film to really enjoy and to indulge in it's detail and style. A slightly flawed masterpiece.