Messes with the mind
- The Changeling review by CP Customer
This film is from the 1980s so you may have a laugh at the fashions.
This film is well scripted, no blood and guts like most films but more psychological than anything else.
It is such a good film as it keeps you interested at every step of the way - you have to keep watching to see how it pans out.
I will not spoil any plot because I think it ruins it for the viewer, but it's to do with something that happened in the house in the 1900's.
There is one particular scene that reminds me a little of Stanley Kubrick's film The Shining starring Jack Nicholson.
You will have to watch it to find out what happens.
2 out of 3 members found this review helpful.
Yet another haunted house
- The Changeling review by AS
George C Scott lends his weighty presence to a run-of-the-mill spooky house tale. His major movie star status began to wane around this time and his later career shifted to television, albeit with some great performances. His real-life wife Trish van Devere joins him here, but this is not a good thing: she's an attractive lady but her acting is strictly by-numbers TV fare, and she adds no character to the proceedings. The scares are nothing new - dark staircases, empty rooms, self-motivating furniture, noisy plumbing. The ending is completely over the top. Worth a look for ghost story lovers.
1 out of 2 members found this review helpful.
A quietly unsettling film.
- The Changeling review by NP
This is a quietly unsettling film, directed very much in the style of a TV movie. It really ramps up the tension at the halfway mark, following a séance to determine the cause of the haunting that is rattling John Russell, played by an excellent George C Scott.
A question that remains with me after watching this is - if the spirit is so powerful, why does it need Russell’s help? Equally unclear is the actual ending of the film, involving Sen. Joseph Carmichael (played by another wonderful veteran Melvyn Douglas) in his final scene (no major spoilers here!).
For a film to be open to suggestion is not a problem for me, especially when the whole experience is as good as this. Minimal horror effects go to prove that if done right (and director Peter Medak certainly knows how to do that), a palpably uneasy atmosphere is enough. My score is 7 out of 10.
1 out of 2 members found this review helpful.
The House That Grief Built
- The Changeling review by griggs
The Changeling opens not with a scream but with silence—the kind grief leaves behind. After losing his wife and daughter in a car accident, a man hollowed by loss retreats into a cavernous mansion, haunted long before the first ghost appears. George C. Scott carries that pain like a wound his performance steady, restrained, and quietly devastating. The house becomes an echo chamber for his mourning, its creaks and whispers indistinguishable from memory.
Comparisons with Don’t Look Now are fair: both turn grief into a haunting, though Roeg’s belongs to the early ‘70s, when horror leaned toward psychological unease. The Changeling, arriving on the cusp of a new decade, carries that melancholy forward into something quieter and more formal. Here, the supernatural feels less like intrusion than manifestation—pain demanding to be heard.
It’s not flawless—the pacing drifts, and the revelations verge on procedural—but when it works, it chills with quiet conviction. A mournful ghost story about loss that refuses to stay buried.
1 out of 1 members found this review helpful.
Suitably Atmospheric Ghost Story
- The Changeling review by GI
A suitably atmospheric ghost story with a murder mystery thrown into the narrative. Veteran American actor George C. Scott plays John, a celebrated composer, who moves into an old gothic house for some isolation and quiet in order to finish a musical piece he's been working on. He's grieving after a terrible tragedy so when strange occurrences begin at the house it's thought it's all in his mind but John begins his own investigation and unravels a decades old murder. There's some nice subtle moments especially early on in the film as the poltergeist events ramp up. The actual murder mystery is fairly routine stuff and has been seen in many similar films and the final climax is a little disappointing. But this has many fans as an effective horror tale that eschews gore and 'cattle prod' effects for a more tense and slow build up. Worth seeking out if you've never seen it.
0 out of 0 members found this review helpful.