Rent Harley Davidson and the Marlboro Man (1991)

2.9 of 5 from 59 ratings
1h 34min
Rent Harley Davidson and the Marlboro Man Online DVD & Blu-ray Rental
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Synopsis:
Hotly staged bike chases, state-of-the-art weaponry and excellent explosions form a deadly combination in this lively action film about a couple of modern-day, motorcycle-ridin' Robin Hoods. Starring Mickey Rourke , Don Johnson and Vanessa L. Williams , 'Harley Davidson and The Marlboro Man' contains thrills and excitement that never let up - with surprise twists at every turn! In the lawless world of the future, drifters Harley Davidson (Rourke) and The Marlboro Man (Johnson) help an old friend save his bar by robbing the very bank trying to take over his property.
But this is no ordinary bank and the armoured car they roll is filled not with money - but drugs! Now Harley and Marlboro become the objects of a ruthless manhunt by the corrupt bank chief's deadly and unstoppable henchmen.
Actors:
, , , , , , , , , , , , , , , , , , , Bobbie Tyler
Directors:
Producers:
Jere Henshaw
Writers:
Don Michael Paul
Studio:
MGM Home Entertainment
Genres:
Action & Adventure, Drama, Thrillers
BBFC:
Release Date:
21/07/2003
Run Time:
94 minutes
Languages:
Czech, English, French, German, Italian, Spanish
Subtitles:
Danish, Dutch, English Hard of Hearing, Finnish, French, German Hard of Hearing, Greek, Hungarian, Italian, Norwegian, Portuguese, Spanish, Swedish
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Widescreen 1.85:1
Colour:
Colour
Bonus:
  • Original Theatrical Trailer

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Reviews (1) of Harley Davidson and the Marlboro Man

Product placement at its most heroic - Harley Davidson and the Marlboro Man review by Count Otto Black

Spoiler Alert
12/06/2015

This film is obviously so pleased with itself that I feel a bit mean giving it only two stars. But then again, smugness is seldom endearing. And when a movie opens with a disclaimer that it in any way endorses the commercial products its two heroes are named after (by the way, the least irrelevant of the female characters is called Virginia Slim), you have to wonder if they thought things through properly before shooting began.

The hidden elephant in the room, which gets in the way of everything else as soon as you spot it, is that this film contains so many direct lifts, including bleeding chunks of dialogue, from "Butch Cassidy And The Sundance Kid" that it's practically a remake. Let's be honest here. Mickey Rourke isn't Paul Newman, and Don Johnson (remember him?) very, very definitely isn't Robert Redford, so any hint that they're supposed to be comparable was always going to be a bad idea. Though to be fair, Mickey Rourke does do a pretty good Bruce Willis impersonation throughout, even if a lot of the time he looks as though he's having trouble keeping a straight face. He later admitted he only did it for the money - $2.75m, which was nearly a tenth of the budget, and more than a third of what this bomb ended up grossing.

As for the plot... Well, as our heroes keep smugly reminding us, they're "free spirits" (even if they're named after a brand-name and a corporate advertising logo), therefore they can do what they want all the time with no consequences, and make beautiful women into their playthings just by smiling at them. And what's more, they're such great guys that they'll stop at nothing to do "the right thing" and avenge the murder of their friends by the smirking, heavily-armed, mega-rich one-dimensional bad guys, even though the friends they're risking their lives to avenge would all still be alive if our heroes hadn't talked them into doing something incredibly stupid in the first place.

To be honest, the thing that got my attention the most, other than the constant distraction of spotting yet another quote from Butch & Sundance, was the fact that the bad guys have ridiculously long black leather coats, therefore, because "The Matrix" was still 8 years in the future when this movie was made, they look exactly like boringly generic modern good guys. Oh, there's some shooting - quite a lot, in fact - and men do what a man's gotta do, which naturally involves machine-guns and helicopters and the odd exploding car, but it's all a bit too self-congratulatory. It was a resounding flop in 1991, and 24 years later it hasn't become a cult classic, just a curious period piece which passes the time well enough, gives film buffs an exceptionally good opportunity to play "spot the pointless references to another film", and has an absurdly ill-advised title.

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