Revisionist western which reflects '60s US civil rights more than the historic persecution of Native Americans. Paul Newman plays a white settler adopted by Apaches as a young man. Finding himself a second class citizen on a hazardous stagecoach journey, he reluctantly uses his combat skills to save the lives of his fellow passengers when held up by bandits.
So it's a liberal reshuffle of the old western classic, Stagecoach. Though John Ford is unlikely to have featured characters like the avaricious Fredric March who starves Native Americans on a reservation and pockets the profit. Newman plays that archetype of US cinema, the isolationist eventually persuaded to act for the greater good.
It is a morality tale with few diversions. Newman is an effortlessly cool hero. Among the support cast, Diane Cilento is moving as a sassy, wise but lonely woman facing up to middle age. As ever, Richard Boone makes a convincingly brutal outlaw.
There is an epic score and impressive cinematography. The theme is the psychological violence of prejudice, and the personal injury of living in its grip. It's a philosophically interesting film, with suspense and strong characters; and a key star vehicle for peak period Paul Newman.
This film well deserves its good critical reviews. The acting is great and the characters are build up carefully, even in the minor parts. Paul Newman is well cast and convincing in the lead part. The pace of the film is excellent with some great photography and just enough action to keep things interesting. Strongly recommended for those wanting a more "modern" style of western, with moral points that are kept admirably open for thought.