A great film, not a con!
- The Sting review by Pete P
Although it's a little old, The Sting is an excellent film. It's well written, the acting is perfect and the attention to detail with costumes and sets is second to none. Add to that a ripping yarn with a fantastic twist right at the end, and you have a well produced, thoroughly enjoyable film. If you enjoyed Hustle on the TV, you'll love this!
2 out of 2 members found this review helpful.
The Best Caper Movie
- The Sting review by GI
Winner of seven Oscars including Best Picture this is a hugely entertaining crime drama with comedy undertones due to the superb pairing of Robert Redford and Paul Newman. Brilliantly structured, scripted and edited it's one of the best American films of the 70s and is one of those that everyone should make sure they see at least once. Set in 1936 during the Great Depression Hooker (Redford) is a small time street con man but he's very good at it. When he and his partner steal from big time gangster, Lonnegan (Robert Shaw) they become hunted men. When Lonnegan has Hooker's friend murdered he wants revenge and goes to Henry Gondorff (Newman) who is reputedly the master of the Big Con. Together they plan to take Donnegan down but can they trust each other? This is riveting to watch as nothing is ever what it seems and you never know who is on whose side so it plays out like a 'whodunnit' style narrative. It's definitely one of the best 'caper' movies you'll ever see and it's yet to be bettered in that genre. The Chicago of the 1930s is wonderfully and authentically constructed for the film using mostly studio sets with a nostalgic feel even down to using the old Universal Studio logo at the beginning. This is one of those really entertaining films with two major stars at the height of their fame, in a cleverly plotted film that everyone will enjoy I guarantee.
1 out of 1 members found this review helpful.
Happy to Be Had
- The Sting review by griggs
I found this slow and a bit flat the first time, an odd complaint about a long con. I blame the title. A film called The Sting ought to have a buzz to it. Mostly I got Scott Joplin’s The Entertainer repeatedly turning up like a bad penny.
This time I knew the score, even if I’d forgotten the twists. Paul Newman and Robert Redford are such good company I stopped clock-watching.
I got conned all over again and happily admitted defeat.
1 out of 1 members found this review helpful.
Seen it all before......
- The Sting review by JD
I spent much of this film knowing what was going on as ive seen it done in countless other films.
Gives the feeling your the one being conned.
It also feels a bit amateur at times.
However the acting is convincing, one that stands out is that Newman guy. His screen presence is matched only by the likes of Wil Smith, Sean Connery or Harrison Ford.
The film itself while we have all seen it all before is an inoffensive affair. There is no pandering, telling us what to think or box ticking. Its just telling an entertaining story. And something else that stands out is this is pure entertainment. There is no misery to shock the audience and the plot never gets bogged down in over complication. It plays out in a positive fashion so as it closes youll feel happy and satisfied with your 2 hours.
Joking aside, when this film started we werent sure about it, but once you get used to its style and settle into the story it really does stand out as a fantastic film.
Is it right, something so old stands up so well today? Should I remember this film and recommend it to my children when i couldnt name a single one of the countless copies its spawned since?
0 out of 0 members found this review helpful.
Period Caper
- The Sting review by Steve
This influenced the comedy caper for a decade, particularly the innovation that the sting is not only perpetrated on the mark, but also on the audience. Rather wonderfully, it is loosely based on real life criminals from the 1930s. Director George Roy Hill re-hires the old gang from Butch Cassidy and the Sundance Kid (1969).
Robert Redford plays the small time grifter who is coached for the ultimate con by old hand Paul Newman. And their star chemistry combusts once again. Robert Shaw is suitable loathsome as their dupe, a Chicago gang boss who kills their comrade, a genial street swindler about to go straight.
So we are really on their side. The comic tone is drawn from Damon Runyon's folksy vignettes of the depression. The period costumes and set design are truly exceptional. The soundtrack of Scott Joplin's Ragtime jazz is evocative and led to a revival. It would be an advantage to understand poker, but not crucial.
The ten Oscar nominations and seven wins, including for best film and director, now seems like overkill. It's just a buddy picture. And the famous twist ending no longer induces whiplash. But it remains friction free entertainment with likeable stars and a meticulous period production.
0 out of 0 members found this review helpful.