This is a well acted and engaging film. The storyline is both moving and powerful. The acting from all is great and it's a film that makes you think after.
I suspect this would have been better off as a 1 hour of 48 minute TV drama, or even drama-documentary. There is just not enough here to pad out a whole film, and this did drag at times, esp the second half. This is one of many misery memoir films - too many to list here really. Some are better than others.
Based on a real life City trader who now campaigns for the NSPCC, I was a tad concerned at the misandry here, where all white adult males are portrayed as child sex abusers or just amoral greedy capitalists in the City (the real life David, focus of this biopic, was one himself, made his fortune there). It just gets tiresome, in a cartoon character way, though I have seen quite a few films like this now - it's quite the thing, hating on white men and boys!
And the 1 in 20 stat at the end needs analysis - for 'children' the NSPCC counts anyone under 18, I think, so most claims are by teenagers. There is a danger of overusing claims of abuse, automatically believing claims and demonising all men and boys. We see the effects in the permanent suspicion in which all men are now treated, guilty as accused. That is very dangerous as lies are then weaponised for revenge.
It's not explicit in its depiction of child abuse so not sure why any gets triggered at things like this.
It's a so-so film BUT I'd recommend WAH-WAH (2015) by Richard E Grant more and a south African film MOFFIE (2019).
2 stars
I wanted to write to review to warn people that this film has child abuse issues in it, there was no description of this provided so I had no way of knowing. I stopped watching it not long into the film as it was depressing and upsetting. I can not understand the good review this has been given. The description is quite misleading, I pictured it mostly set in the stock exchange.