1982 BAFTA Best Cinematography
1981 Oscar Best Cinematography
Sumptuous, lovely, detailed and deeply moving version of the Hardy tragedy. It can be discordant when a much loved classic novel is turned into a film and the book of our memory comes into conflict with another imagination. But no complaints here. Polanski does a magnificent job.
Not just for me the best Hardy adaptation (by a mile) but the best of any Victorian novel. The Wessex on screen is magnificent, winning Oscars for best art direction and costumes, and cinematography, which is stunning from panorama to close-up. The sunrises and sunsets linger on in the memory.
The long story is adapted with understanding (though at nearly three hours long) with the conclusion at Stonehenge particularly effective.
I think every man loses his heart to Tess, on reading the book. She is an immensely affecting character. And the magic works here too, with the seventeen year old Nastassja Kinski a most sympathetic heroine, her screen presence never overwhelming the character's naivety and passive virtue. Her beauty as she is photographed here is haunting. Hard to imagine how this could be improved.
The young Kinski is absolutely superb at breathing life into Hardy's Tess.
An innocent young lady, who through no fault of her own, suffers suffering on top of suffering. Beautiful countryside caught in panoramic shots compliment the beautiful Tess, culminating in the heart breaking ending. An emotional classic.
Nastassja Kinski is Tess in this madly romantic film by R Polanski, which is faithful to the novel by Thomas Hardy and captures the atmosphere in the book, transferring it over to the screen. It is a beautiful film and N Kinski is simply so utterly beautiful herself that she dominates the narrative effortlessly. It should be said that the movie is as good as it is simply because the story is so compelling and moving, as written by T Hardy.
I would have a few reservations, however. First of all, the pace of the film is quite slow and the film is perhaps a bit too long (2 hrs 45 mins or so). But one could argue this is in keeping with the novel by T Hardy. Second, N Kinski's acting can feel a bit limited in its range at times: she tends to look cross, embarrassed and/ or pouty a lot of the time, as if this were what Tess's part and fate demand.
It is still a beautiful film that I recommend and enjoyed watching.