Rent The Flash (2023)

3.2 of 5 from 320 ratings
2h 18min
Rent The Flash (aka Baby Shower) Online DVD & Blu-ray Rental
  • General info
  • Available formats
Synopsis:
The Flash uses his superpowers to travel back in time, inadvertently altering the future - but will making the ultimate sacrifice be enough to reset the universe?
Actors:
, , , , , , , , , , Rudy Mancuso, , , , , , , , , Poppy Shepherd
Directors:
Producers:
Michael Disco, Barbara Muschietti
Creators:
Harry Lampert, Gardner Fox, Jerry Siegel, Joe Shuster, Bob Kane, Bill Finger, William Moulton Marston
Writers:
Christina Hodson, John Francis Daley, Jonathan M. Goldstein, Joby Harold, Robert Kanigher, Carmine Infantino
Aka:
Baby Shower
Studio:
Warner
Genres:
Action & Adventure, Sci-Fi & Fantasy
BBFC:
Release Date:
18/09/2023
Run Time:
138 minutes
Languages:
English Audio Description Dolby Digital 5.1, English Dolby Digital 5.1
Subtitles:
Castillian, Czech, Danish, English, Finnish, Norwegian, Polish, Slovakian, Swedish
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Widescreen 1.90:1
Colour:
Colour
BBFC:
Release Date:
18/09/2023
Run Time:
144 minutes
Languages:
Castilian Spanish Dolby Digital 5.1, Czech Dolby Digital 5.1, English Audio Description Dolby Digital 5.1, English Dolby Atmos, Italian Dolby Digital 5.1, Mandarin Dolby Digital 5.1, Polish Dolby Digital 5.1, Slovakian Dolby Digital 5.1
Subtitles:
Cantonese, Castillian, Chinese, Czech, Danish, English Hard of Hearing, Finnish, Italian Hard of Hearing, Korean, Norwegian, Polish, Slovakian, Swedish
Formats:
Pal
Aspect Ratio:
Widescreen 1.90:1
Colour:
Colour
BLU-RAY Regions:
(0) All
Bonus:
  • Explore the Making of The Flash, Supergirl, and The Return of Michael Keaton as Batman; Also includes the original scripted podcast story The Flash: Escape the Midnight Circus
BBFC:
Release Date:
18/09/2023
Run Time:
144 minutes
Languages:
Canadian French Dolby Digital 5.1, English Audio Description Dolby Digital 5.1, English Dolby Atmos, Italian Dolby Atmos, Italian Dolby Digital 5.1, Latin American Spanish Dolby Digital 5.1
Subtitles:
Canadian French, Danish, English Hard of Hearing, Finnish, French Parisian, Italian Hard of Hearing, Latin American Spanish, Norwegian, Swedish
DVD Regions:
Region 0 (All)
Formats:
Pal
Aspect Ratio:
Widescreen 1.78:1 / 16:9
Colour:
Colour
BLU-RAY Regions:
(0) All
Bonus:
  • Explore the Making of The Flash, Supergirl, and The Return of Michael Keaton as Batman
  • Deleted Scenes
  • Also includes the original scripted podcast story The Flash: Escape the Midnight Circus

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Reviews (5) of The Flash

Not Too Bad at All - Quite Flashy Indeed - The Flash review by Pork Chop Express

Spoiler Alert
10/07/2023

I went to the pictures hoping for the best, but fearing the worst after all the critical maulings (including the Cinema Paradiso review on here for example). What I got was an engaging and entertaining origin and standalone DCEU film that drew in a fun final performance from Keaton and a gritty performance from the newly introduced Supergirl character - complete with grumpiness, volnerability, femininity and some badassed fight scenes.

I didn't know what crimes Ezra Miller had meant to have done at the time (after finding out afterwards I can see folks don't have a lot of respect or faith in him) but what gets put up on the screen is acted and directed very well. So it's a shame for all the negativity. I think that is one of the reasons folks didn't turn out for this - knowing that Gunn was going to shoot up the DC universe and that they would have to re-cast the Flash actor anyway didn't help so they're all waiting for pay per view / HBO.

The story and acting are pretty strong, the effects for the best part are excellent and eye popping although I would have to agree the odd frame let's it down on some of the cameo flashback heroes for e.g. (I won't spoil it for you though).

I thought it was rather well done and certainly didn't warrant the critical mauling it got. I'd give it a 7 or 8 out of 10 and because it has had a few hundred millions thrown at the screen (which is obvious when you watch it) it is worth catching on cinema or the biggest / best screen you can see it on. IMAX would have been best.

Ezra really did excel when I think back and his interactions with his younger past self really do make the film.

If only all the DC films had been at the calibre of Man Of Steel, Flash, WonderWoman, Aquaman ... well maybe we would have got to keep our Henry... I don't have anything against James Gunn but the problem with DC movies is Warner Bros pure and simple they need to butt the heck out of it and distribute not direct or produce.

2 out of 3 members found this review helpful.

Another Same Ol' Superhero Film - The Flash review by GI

Spoiler Alert
21/11/2023

There's a few entertaining moments to enjoy in this overly long superhero/comicbook film from the DC universe. But it doesn't take the genre anywhere new or original and builds up to the inevitable giant punch up. Most of the in jokes come from the references to previous DC films and, if you're a certain age, you'll get all these 'jokes' easily enough but I'm not sure younger audiences will and that's who this film is mainly going to attract. Perhaps DC hopes it will encourage their older movies to get a new audience. What is shamelessly on offer here is an attempt to meet the MCU on level grounds but it doesn't work here. The DC heroes don't comfortably sit together like the MCU ones do and consequently Batman, Superman etc fare better in films on their own and not joined up in a big gang. Here the quite minor character The Flash (Ezra Miller), alias Barry Allen, in an attempt to prove his father innocent of murdering his mother uses his super speed powers to go back in time but manages to change the past and finds himself trapped in an alternate universe where he has no powers, there are no other superheroes yet and the Earth is threatened by an alien invasion. Miller gets to play two versions of himself, mostly in a comic 'Dumb & Dumber' type situation and essentially gurns his way through the film. DC fans will applaud that we get a variety of Batmans from the past, the main one being Michael Keaton, and as the plot unfolds there are glimpses of various Supermans too. The cameos are amusing and some of the movie jokes too (the one about Back To The Future especially so) but the film lacks any real dramatic depth and follows the usual tropes of this genre, devoid of new ideas it's another mildly watchable family film that is instantly forgettable. Come on DC you nailed it with The Dark Knight Trilogy, almost nailed it with Man of Steel but otherwise it's mostly been a damp squib.

0 out of 0 members found this review helpful.

All It Needed was a New Super-Villain called 'The Pan' and We'd Have Been Complete - The Flash review by Strovey

Spoiler Alert
26/12/2023

The Flash is an odd superhero movie, it has the elements we expect, a lot of explosions, a lot of cars flipping end over end, a lot of peril for people, including a ‘shower of babies’ that the hero eventually puts a stop to – but only just. Yet it mixes this in with a dorky alter-ego and some misplaced and at times rather low-brow humour. Pile on top of this a lot of people getting killed, and there were a lot of families of servicepeople who were going to be affected and the unpleasant stabbing murder of the main protagonist's mother. What age group was it aimed at? I have no idea.

The story is certainly nothing we have not seen in many films, books and other fiction before. A Sound of Thunder always comes to mind when anyone tackles this because the outcome, the moral, is always exactly the same. You cannot go back in time to change one thing without changing everything.

In The Flash it seems as if the writers could not resist the temptation to make this simple premise well, simple really. It gets convoluted and odd and makes little sense the longer it goes on. What it really seems to be is a good excuse for some hard-core comic-book, super-hero nostalgia porn, as every version ever put on any screen (in the Western hemisphere at least) of Superman and few other heroes pops up for a little cameo, including poor old Nic Cage’s fervent wish from decades ago. For me it did nothing but for some viewers I would imagine it was Nirvana.

The visual effects on display are at times poor, and Polar Express 'uncanny', which considering the development time and money spent is a poor return. Apparently, this was deliberate as it was supposed to represent the view through Barry’s eyes in the alternate dimensions and it had absolutely nothing with impossible deadlines and penny-pinching.

Ezra Miller plays dual roles and much like Ezra’s off-screen persona they are both at times good and others really bad. Playing up the camera and hamming it for it is worth and then in an emotional scene with his mother getting the effect required from the acting. Puzzling. Regardless of the events beyond the camera, I can only judge what I see on the screen. It is not a review of dreadful events in the real world although I have opinions on those, definitely for another Blog or place.

Throughout the run time we get superhero returnees, including croaky-voiced Affleck and Keaton as Batpeople and discarding with Henry Cavill we get Sash Calle donning a figure-hugging CGI suit as Superman’s niece who does very little except get angry and killed – about twenty times.

Michael Shannon returns as Zod, again looks mean, badly CGIed and does little else.

Really the whole thing is a mess but I am glad every probably got paid well at least.

Sprinkle throughout as some familiar faces to UK viewers, Saoirse-Monica Jackson, Sanjeev Bhaskar and Kieran Hodgson, who was sat on the sofa of Glaswegian living-room only a few days previously.

The more enjoyable aspects are when Barry interacts with his parents, the ever-reliable Ron Livingston and Maribel Verdú but people who watch The Flash do not want to see that, they are there for their heroes and explosions, and flipping cars and derring-do and to be fair you do get that.

Overall, The Flash had a job to do, to persuade me to review my bias against comic-book superhero films and it failed. Flashing lights, a billion dollars worth of CGI and visual effects, non-stop violence where peripheral characters die, a flawed protagonist, who starts out a bit wonky but gets better and learns near the end and a big ‘twist’ that I guessed the first time I saw the character.

If this was for adults it was too simplistic and too illogical and if it was for the younger generation too violent and panders too much.

0 out of 0 members found this review helpful.

Critic review

The Flash (aka Baby Shower) review by Mark McPherson - Cinema Paradiso

For a superhero who prides himself on being fast, The Flash arrives far too late to save the DC Cinematic Universe. The hero comes at the end of an era in both the narrative and the franchise. Despite some better superhero cinema moments, this film showcases the limitations of the box setup for DC Comics heroes and why it’s so frustrating that it feels like there are brakes on this speedy vehicle.

The concept has clever playfulness as it rips from the Flashpoint comic event in 2011. Barry Allen (Ezra Miller) has been getting used to his role as the speedster superhero within the Justice League. While he seems to be doing okay, he still hasn’t gotten over the loss of his mother as a child and the ongoing trial of his father as an adult for his dad being charged with his mom’s death. Barry wishes he could go back in time and prevent her death so that he has his parents present for his adult years. That wish is granted when Barry discovers his Flash powers can send him back in time.

Despite being given some warning by another superhero, Flash figures saving his mom would be a great thing worth pursuing with the gentlest of altercations. That altercation, however, changes the entire world, especially since Barry stumbles in his time travel, trapping him in a universe where he meets the older-teenage version of himself. Batman has been replaced by the classic Michael Keaton version of Bruce Wayne, and it shouldn’t be as surprising that the nostalgia is laid on thick for fans of the Tim Burton era. Superman is out of the picture and replaced with Supergirl, the distant relative of Kal-El, who makes it her mission to save Earth. They all need to work together to stop a key event from Man of Steel that has arrived earlier than expected.

The film works best when it doesn’t have characters trying to comprehend the time-travel mechanics and get to know each other. As egotistical as it might sound, the scenes between the two Barry Allens are great not just for the comical back-and-forth but for the divulgence of Flash’s powers. A mix-up in origins leads to the older Barry losing his powers and the younger Barry gaining them, bringing about a crash course in using the speedster powers. Without too much explanation, we know precisely how Barry can phase through matter and what happens if he moves too fast in regular clothes (they catch fire). There’s also a solid opening action scene to get used to the dynamic of Flash, as when he saves an entire descending hospital wing while eating food along the way to keep up his energy. As strange as it is, there’s a certain charm to The Flash saving a slew of babies while scarfing vending machine food and heating a burrito in a microwave.

Compared to past DCEU films, this one is not a trainwreck. It’s also not the savior of this franchise, given how many times it trips just as it finds a chance to leap. The special effects range from compelling (the time travel portrayed with rotating spheres was brilliant) to uncanny oddness (the VFX for the babies and dogs was just bizarre). The plotline has exciting elements but fails to pay them off. The big finale has all the ingredients to imply that the grand showdown will proceed in Metropolis. Instead, it takes place in a deserted battlefield with absolutely no people in danger or buildings to destroy. For a scene intended to be dangerous and stress the dark results of Barry’s time meddling, it’s the most boring of locations to fight.

Despite some surprising cameos and solid superhero moments, The Flash only finds its footing to go a few minutes without a stumble. It’s a shame considering that some neat fight scenes and banter between superheroes work in bits and pieces. The sad truth is that this film is more interesting for reflecting the intent of the Flashpoint comics to usher in a reboot on the horizon. There is a fantastic reboot coming to the DC Comics movies from James Gunn, so this film is more interesting for its placement and acting as a herald than anything all that much contained within its timeline-tapping adventure.

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