Rent We Need to Talk About Kevin (2011)


Eva (Swinton) puts her ambitions and career aside to give birth to Kevin, but the relationship between mother and son is difficult from the very first years. When Kevin is 15, he does something irrational and unforgivable in the eyes of the community, leaving Eva grappling with her own feelings of grief and responsibility. Did she ever love her son? And how much of what Kevin did was her fault?
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Recent Reviews of We Need to Talk About Kevin by our members
You rated this movie: 3
Reviewed by: AF
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We Need to Talk About Kevin review by AF

Good, but stick to the book
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I think Tilda Swinton's acting in this film was exceptional, as was that of the various children playing her son. However, there was far too much jumping around from time to time and if I hadn't read the book, I would have really struggled to know what was going on in some scenes. The book, based on letters written by Eva (Swinton) to her husband is far more moving, deep and hard hitting.
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You rated this movie: 5
Reviewed by: PV
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We Need to Talk About Kevin review by PV

Well-acted and made movie.
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I really liked this film - it's entertaining, sometimes shocking and a bit disturbing perhaps. It's well-written and acted, for sure, and not too long like many movies (maybe because the writers, director some producers are British). But the director's flipping around to flashbacks at the beginning didn't do it for me - it was confusing and a bit pretentious too. Unnecessary. Reminded me of the kind of pretentious French New Age twaddle that students get taught to admire at film school. A film, like a novel, needs a timeline - one or two flashbacks are fine. But this movie had scenes from around 5 or more different times happening in seemingly random order. Now, the book.............. The novel was based on true stories of high-school massacres - and it shows. The author's trick was to listen to, watch and read about real cases then make a 'fictional' book from them. The only major thing changed from real life was how the son killed his victims (no spoiler here though). In the USA, where most states allow most people to buy and carry guns, a killer would surely choose a gun, non? So that was unrealistic, I thought, though interesting. Also, the demonic son storyline is an archetype - as in The Omen and many other films and stories. And don't they have social services in America? In the UK, this family surely would have got support. In the US, the Oprah-fied land of counselling, self-analysis and therapy, surely a family like this would have regular shrink sessions - just like all their neighbours. BUT, having said all that, I consider it a really good movie so award it 4 and a half stars, rounded up to 5.
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You rated this movie: 5
Reviewed by: RP
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We Need to Talk About Kevin review by RP

Disturbing, unsettling, haunting, creepy, harrowing - superb stuff
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Disturbing, unsettling, haunting, creepy, harrowing, superbly acted yet ultimately manipulative. I guess that describes both the destructive character of Kevin – and perhaps also the film. The story is told through the eyes of Kevin's mother, Eva Khatchadourian (superbly played by Tilda Swinton), formerly a successful travel writer but who can only find clerical work in a travel agency. Eva is hated and shunned by the community and it is clear that some terrible event has occurred. The grim story unfolds through flashbacks from before and after 'the incident'. Kevin's conception and birth has echoes of 'Rosemary's Baby' and Eva is ambivalent towards him, doesn't hold him close, doesn't bond with him, perhaps doesn't love him; in turn Kevin is rebellious and spiteful, even from a very early age. Is it nature or nurture? The only time he becomes animated is when read the story of Robin Hood, after which he becomes obsessed with archery... He sees his baby sister as a rival and treats her cruelly. Kevin is not your average nice boy. The film ends with Eva visiting Kevin in prison, ending on a nicely ambiguous note. This really is a superb film and while it has won many awards it missed out on the majors, and in my opinion (and of Dr Mark Kermode!) was cruelly overlooked for the Oscar nominations. Highly recommended – 5/5 stars.
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Rated: 3.7 stars out of 5 from 45 ratings
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BFI Classification:
Suitable only for persons of 15 years and over
Release Date: 27/02/2012
Production Year: 2011
Run Time: 107 minutes
Aspect Ratio: Widescreen 1.78:1 / 16:9
Format: Pal
Colour: Colour

Special Features:

  • Cast and Crew Interviews
  • Theatrical Trailer
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