Haunting and now in high definition!
- The Shining review by CP Customer
The Shining is a classic film, with great performances from Nicholson and most of all Duvall. Kubrick does horror in such a visually lavish style that he raised the benchmark for years to come. The blu ray transfer here is excellent, remarkable for a film this old. Kubrick was a stickler for detail and not cutting corners financially to ensure his standard was maintained. This means the clarity of the print is worth the price alone. The production team have gone that extra mile by including several informative documentaries, including one directed by Stanley's daughter. As a relative she had total access during filming, thereby putting together a behind-the-scenes like no other for its time. The Shining remains an atmospheric entry in the arsenal of Kubrick, all the added extras make this a superb package.
5 out of 7 members found this review helpful.
Hexagons of Horror
- The Shining review by griggs
The Shining disorients by design. Kubrick builds unease not through chaos but control—gliding camera movements, symmetrical framing, and rooms that feel just a few degrees off reality. The Overlook isn’t merely haunted; it’s oppressive, surreal, and meticulously composed to keep you on edge.
What’s striking is the beauty. The visuals are lush, almost regal, but that elegance curdles into menace. The dread creeps in slowly—through the hush of empty corridors, the repetition of patterns, the mounting sense that logic has quietly exited the building.
The performances teeter between theatrical and uncanny, like everyone’s reading lines from someone else’s nightmare. Nothing is fully explained, which is part of the point. It’s not a puzzle to solve—it’s a feeling to endure. A descent into madness orchestrated with such precision it feels ritualistic. Terrifying, in a way that’s hard to shake, and harder to define.
2 out of 2 members found this review helpful.
A Masterpiece. A Tangibly Frightening Ghost Story
- The Shining review by GI
Now hailed as one of the greatest horror films ever made it's not too surprising that back in 1980 audiences just didn't get this film. It's almost incomparable to any other film either before or since and was misunderstood and perhaps a little too deep for general audiences of the time. In essence it's a ghost/haunted house story with a study of madness thrown in for good measure and as a film it is highly impactive and very clever. The suspense of the film is almost tangible and it's quite frightening in parts. Jack Nicholson, in one of his most famous roles, plays Jack Torrance, a former teacher and budding writer. He takes the job of caretaker of the massive, remote and luxurious Overlook Hotel when it closes for the winter. Jack, his wife Wendy (Shelley Duvall) and their young son Danny (Danny Lloyd) are effectively isolated for the duration of the winter while Jack attempts to use the solitude to write. But influenced by the Hotel's dark past Jack slowly becomes homicidal and insane putting his family in danger. Danny, unbeknown to his parents, has a unique gift of being able to sense bad things and he sees the Hotel for what it is and begins to see the strange presence that haunts it. This film has been pawed over by so many fans with ever more bizarre theories about it but it should be seen for the unique experience that it provides, a very dark story about deep emotions being forced to the surface of an unstable man affected by forces unseen by normal people. The actors are fantastic and Nicholson's extreme performance often overshadows Duvall's, which is some of the finest acting you'll ever get to see. There are really two versions of the film, the longer and original one that was released in the US and then a shorter one released for the European and UK markets. Director Stanley Kubrick put together both and acknowledged both but I would recommend the longer version as it has scenes that enhance the backstory especially with the central and important character of Danny. This is a post modern horror film and a masterpiece of cinema. Definitely a film to make sure you see.
1 out of 1 members found this review helpful.
REVIEW OF THE LONGER & BETTER 4K AMERICAN VERSION
- The Shining review by Frank Talker™
A sort-of-smart but a little over-long ghost story which only part-successfully deals with fundamental issues in Western culture. A) The decline of the extended family into more-isolated nuclear ones; resulting in a reduced psychological-support network for the remaining nuclear families. B) The descent into madness precipitated by having nothing to feel good about in the form of either spiritual nor material success. C) The abusive psychological-addictions which can result from never having dealt adequately with the past - which continues to haunt the father-figure here, albeit for no well-dramatised reason.
The fictional and shut-down-for-the-winter Overlook Hotel which both the film and the temporary caretaker-family inhabits for most of its length is an excellent metaphor for the alienation of modern Western-lifestyles: Its cavernous size helps physically-depict the internal, unfulfilled mental-states which the characters attempt to evade.
This secluded hotel offers the characters few engaging distractions and, thus, forces its inhabitants - both dead and alive - to confront themselves as they actually are. The wife and mother keeps herself busy with real household chores; the sole child solaces his loneliness with an imaginary friend; &, the husband and father solaces his writers' block with non-existent bourbon. ("Burnt Offerings" [1976] offers a similar story, which handles the family's emotional problems better, set in a country house rented for the summer by a writer whose household then proceeds to psychologically destruct as that film progresses.)
Oddly, for a horror movie, there are few cliché jump-scares, darkened rooms, creaking doors or cobwebs (except a few in the longer American version). The film is brightly-lit for the most part as if a searchlight is being shone upon basic human fears of career failure, past personal errors & the crippling-weight of some unexpressed historical trauma.
Although clairvoyance is a major theme here it is not meaningfully explored. The supernatural "shining" ability thus comes across as a mere plot-device to denote the young son's empathy - an empathy typical of a childhood-innocence which sees the adult world as it appears to be, but does not yet fully comprehend any underlying meaning.
Fundamentally, as always with director Stanley Kubrick, this movie is about his belief that there is something intrinsically-wrong with human nature. Yet, he provides no evidence for this belief; resulting in the visual distractions of continuity errors and lazy film-making which are jarringly-atypical for this usually-meticulous movie-maker.
All of these deliberate visual disorientation-tactics conspire to confuse the audience in a fun game, but to limited dramatic or thematic purpose; indicating that this film marked the beginning of Stanley Kubrick's decline as a commercial film-director of substance. (Perhaps because Kubrick's previous film "Barry Lyndon" [1975] was a commercial disappointment, while "The Exorcist" [1973] - which he refused to direct - broke box-office records around the world: The director needed to adapt a successful novel into a similarly-successful movie to enable his own films to continue being funded.)
At the end of the day, this film's characters are gripped by forces largely beyond their control which are slowly, compellingly & suspensefully rendered by virtue of the excellent acting performances from all concerned. This dearth of moral agency resulting from being mostly-controlled by ghosts-as-memories makes the film's director the real monster of the story much more than the central antagonist. This is what makes Kubrick's films so fascinating and so annoying at the same time (much like Alfred Hitchcock's work): He is always the star of every movie he makes - the actors mere pawns.
0 out of 0 members found this review helpful.
what you would expect.
- The Shining review by CP Customer
The film is a classic no question Jack Nicholson is incredible,nobody could have played it better and the music is great too. the reason for the 3 starts is because the picture is only only about 20% better than upscaled dvd version i know the film is 30 years old but if the picture is almost the same why bring it out?
0 out of 3 members found this review helpful.
A horror classic
- The Shining review by JD
The picture of Jack Nicholson pushing his face through a smashed door panel must be one of the most famous film covers ever. The film itself has got to be in the best known horror top 10. Don't let this build up the film too much, because although it is a good horror film, it is not as horrific as many others and not to my mind either well scripted or well filmed. I did like some of the scenes particularly the young lad pedalling around the empty hotel the noise of the wheels on the rugs alternating with the parquet floor, and the best moment of tension is of the boy running through a snowy maze trying to cover his tracks. If I hadn't been expecting so much it would have been better.
0 out of 4 members found this review helpful.