Correspondent Course
- Foreign Correspondent review by griggs
Not the Hitchcock you’d put in the top drawer, but Foreign Correspondent hums along with the confidence of a man who knew where every screw went. McCrea’s American hack gets shipped off to pre-war Europe to find a story and soon finds several, most of them inconvenient. The set pieces are crisp, the pacing rarely flags, and the whole thing has more bounce than a wartime espionage picture strictly needs — the same bounce Hitchcock found in The 39 Steps. Almost.
The weak spot is the centre. McCrea and Laraine Day are fine apart but never quite ignite. You accept the romance because the plot demands it, not because they sell it.
What gives it bite, apart from that windmill sequence, is George Sanders and Herbert Marshall: precise, unhurried, playing every scene like they’ve already read the script. When they’re together, you’d believe anything either of them told you. Which, given the plot, is rather the point.
1 out of 1 members found this review helpful.
Typical Hitch
- Foreign Correspondent review by NO
Slow to start but gathers pace. Many scenes were later copied & became cliches .I liked the plane crash-well done & although it was propaganda at the end,it was
throughly enjoyable.
1 out of 1 members found this review helpful.
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- Foreign Correspondent review by LJ
This spy thriller starts off slow but more than makes up for it with multiple exciting set pieces later on. However it is odd that Joel McCrea drops out of the story at one point and George Sanders takes over as the hero. It made me realise I would rather watch Sanders.
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Wartime Propaganda.
- Foreign Correspondent review by Steve
With the war on in Europe and the US public largely disinterested, the legion of expats and Jews in Hollywood worked to turn public opinion towards entering the war against Germany. This is the first of Alfred Hitchcock's American films made in the style of his British thrillers, and his first anywhere to name the Nazis as the enemy.
It's a picaresque adventure, with decent comedy and superb visual touches. It is even set mostly in England, as an American reporter (Joel McCrea) chases down a key Dutch diplomat who has been kidnapped by terrorists. McCrea and Laraine Day are anaemic leads, but there's some fine support.
When Edmund Gwenn is performing an adorable cameo, we could be back with Hitch at Gaumont. For once George Sanders gets to play a hero not a heel. It treads water badly at halfway (and Hitch would have got this done half an hour sooner in the UK), but it recovers with an exciting and well staged plane crash at sea.
This isn't one of the Master's most suspenseful thrillers, but it is packed with wonderful imagery, like the chase of a would-be assassin viewed from above through a sea of umbrellas. Joseph Goebbels called it a masterpiece of propaganda. McCrea's final broadcast from the blitz to the US audience is the real purpose of the film; this is your fight too.
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