Rent SS-GB (2017)

3.3 of 5 from 89 ratings
4h 45min
Rent SS-GB Online DVD & Blu-ray Rental
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Synopsis:
It is 1941 and Nazi Germany, having won the Battle of Britain, is the occupying force in the UK. Based on SS-GB, the bestselling novel by Len Deighton, renowned London murder detective Douglas Archer (Sam Riley) is caught between his brutal new SS superiors and a ruthless British resistance as he investigates what looks like a blackmarket-related murder. Determined to uphold the law and protect the ones he loves, Archer soon finds himself drawn into a treacherous plot with global implications. In a country under hostile occupation, how do you do the right thing when you're on the wrong side?
Actors:
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Directors:
Producers:
Patrick Schweitzer
Writers:
Len Deighton, Neal Purvis, Robert Wade
Studio:
BBC
Genres:
Action & Adventure, Thrillers, British TV, TV Action & Adventure, TV Crimes, TV Dramas, TV Military & War Dramas, TV Thrillers
Countries:
UK
BBFC:
Release Date:
27/03/2017
Run Time:
285 minutes
Languages:
English
Subtitles:
English Hard of Hearing
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Widescreen 1.78:1 / 16:9
Colour:
Colour
Bonus:
  • Archer of the Yard
  • Creating the Aesthetic
  • SS-GB Behind the Scenes
Disc 1:
This disc includes episodes 1 - 3
Disc 2:
This disc includes episodes 4 - 5
- Special Features
BBFC:
Release Date:
27/03/2017
Run Time:
285 minutes
Languages:
English DTS-HD Master Audio 5.1
Subtitles:
English Hard of Hearing
Formats:
Pal
Aspect Ratio:
Widescreen 1.78:1 / 16:9
Colour:
Colour
BLU-RAY Regions:
B
Bonus:
  • Archer of the Yard
  • Creating the Aesthetic
  • SS-GB Behind the Scenes
Disc 1:
This disc includes episodes 1 - 3
Disc 2:
This disc includes episodes 4 - 5
- Special Features

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Reviews (1) of SS-GB

God Save Our Glorious Führer - SS-GB review by Count Otto Black

Spoiler Alert
23/04/2017

Len Deighton, best known for creating the very un-Bond-like secret agent Harry Palmer portrayed on screen by Michael Caine, wrote his "What if Hitler had won?" novel at a time when the concept hadn't been done to death yet, so he didn't have to use outrageous gimmicks to make his book different from all the others. Therefore this TV adaptation features no Nazi flying saucers on the Moon.

What it does feature is an astonishingly meticulous recreation of wartime Britain with added swastikas, and a largely character-driven plot in which figuring out who the good guys are isn't quite as easy as you'd think under the circumstances. In a few scenes the use of CGI is rather too obvious, but otherwise the BBC do a remarkable job of portraying dingy, ravaged London on a budget that would just make Hollywood snigger contemptuously. Also, in contrast to Hollywood in general and Disney in particular's over-the-top political correctness, everyone smokes so much that in the one scene where an adult is shown to be a non-smoker, you'll think "Plot point!", and you'll be right. Though I was puzzled by how seldom the Nazis did the Nazi salute or said "Heil Hitler", as if the BBC thought these two things were somehow more offensive than all the other Nazi imagery we're constantly shown.

Where it falls down a bit is the contrived plot, which involves at least one absurdly enormous coincidence. The not particularly long source novel doesn't really contain five hours' worth of material, hence the blatant attempt to turn the latter half of the story into "Tinker, Tailor, Soldier, Hitler", with characters we've seen very little of turning out to have fiendishly complex cunning plans that are hastily explained at the end, and a peculiar subplot involving King George VI, who is portrayed as such a physical wreck that they don't bother telling us what's supposed to be wrong with him because if you've got a real illness that bad you're obviously going to die almost immediately. Also watch how, right at the start, our hero finds an object he can't identify at a murder scene and conceals that one bit of evidence for no reason at all, as if he magically knows that later on it'll be very important. And it's a howling example of bad historical research to assume that in 1941 everybody knew what an atom bomb was!

I also had a bit of a problem with Sam Riley's acting. Look at that picture up there. That's his facial expression for 99% of his screen time. He's so emotionless that two hours in, a Nazi makes a joke about it. I know these are hard times and he's having a particularly hard time himself, but his relentless repressed misery is actually depressing to watch, to the point where I found myself wishing for more scenes with the Nazis because they're more fun to be around. It's true that not all of the Nazis are completely bad, but when the hero is in any way less appealing than the SS, something has clearly gone wrong.

1 out of 1 members found this review helpful.

Critic review

SS-GB review by Adrijan Arsovski - Cinema Paradiso

SS-GB is a well-made atmospheric thriller with exceedingly British neo-noir elements that ultimately push this offering to be more dark and gritty that it needs to be. Which brings me to my second point: a thriller should be dark and gritty by default, which disproves my first point (plus the fact that genre and tonal choices are very much non-debatable since they’re mostly a subjective matter). And so, is this mini-series worth your time? Well, that ultimately on you to decide, and on me to nudge you in the right direction. Now, the review.

One of the main differences between British and American shows is that the former (mat least most of the time) don’t try to spoon-feed you with pointless exposition and dialogue instead of giving you the power to deduct the plot and motivation of the characters. This is the main argument why some viewers may find SS-GB slow, boring, confusing, and anything but interesting. Where in reality, SS-GB is everything BUT those adjectives; it’s is easily one of the most intelligent shows out there and if you don’t agree I’ll battle you in a duel.

Lame gags aside, SS-GB offers a little bit of everything for everyone: there are the quintessential bad guys the Nazis, but there is also an underlying enemy that looms over the protagonist whilst presenting what’s basically an unseen threat, but ever-present threat. Then, there are the multiple romantic choices to raise tension and keep you on the edge of your seat (or armchair); but most importantly, the series has this weirdly indescribable but satisfying feeling to it, like when you sit near the crackling fireplace whilst a blizzard roams outside your room. You’re not really in danger (at least not yet), so you feel both elated and ready to tackle any upcoming challenges all at once. This is exactly how I felt whilst enjoying SS-GB one episode after another.

And perhaps the best thing about this series is the filmmakers’ dedication to the sets, the visual and tonal style, sounds, and everything that builds a perfectly neo-noir atmosphere to indulge in. It’s just, SS-GB is stylish and it doesn’t try to hide that fact in the least; here, inevitably, one cannot but compare SS-GB with The Man in The High Castle: whilst tonally very similar, where the former leaves much to be desired and deciphered on the ground of the deductive logic of its viewers, the latter is full with exposition and shoves unnecessary information more than it needs to. Arguably, this is one of the main reasons why I found myself enjoying more whilst watching SS-GB than The Man in The High Castle. Either way, both of them are aimed towards different types of audiences and as such, I respect them these two series for what they are.

Finally, is SS-GB worth your time? Well, of course.