Rent Unhinged (2020)

3.1 of 5 from 58 ratings
1h 30min
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Academy Award winner Russell Crowe stars in 'Unhinged', a timely psychological thriller that explores the fragile balance of a society pushed to the edge, taking something we've all experienced - road rage - to an unpredictable and terrifying conclusion. Rachel (Caren Pistorius) is running late to work when she has an altercation at a traffic light with a stranger (Crowe) whose life has left him feeling powerless and invisible. Soon, Rachel finds herself and everyone she loves the target of a man who decides to make one last mark upon the world by teaching her a series of deadly lessons.
What follows is a dangerous game of cat and mouse that proves you never know just how close you are to someone who is about to become unhinged.
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Spirit Entertainment
Collections, Coming Soon, Thrillers
Release Date:
Run Time:
90 minutes
Release Date:
Run Time:
90 minutes

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Critic review

Unhinged review by Mark McPherson - Cinema Paradiso

It’s hard to process a film such as Unhinged which is designed specifically to get the blood flowing with fury and intensity. After a very brutal opening act of arson and murder, the film proceeds into a fast and furious montage of violence and unrest at the worst, highlighting high stress levels and a lack of civility and cops. All of this is to set the stage and make the audience uneasy for the terror that follows of a single mother’s bad day that goes from stressful to violent. Though it get the job done of setting the stage for a movie that wants us to be on the edge of our seat, there’s an unfortunate lacking in exploring these troubles in a film that would rather string steadfast tension from the division of the era.

At least in all the film’s overly elaborate means of exposition to make this horror-like story work, we get to know and root for Rachel (Caren Pistorius). She’s a single mom, still struggling with the divorce proceedings and having serious money issues. She oversleeps, she struggles with finding work, and always hits traffic when getting her tween son to school. She’s having a stressful morning and it only gets worse when she’s agitated by Tom (Russell Crowe), a recently divorced and deeply troubled man. We know from the prologue that he’s dangerous because he breaks into the house of his ex, beats her and her boyfriend with a hammer and burns the house down. But she doesn’t know that such a man, mentally unstable and addicted to drugs, doesn’t take kindly to motorists honking at him when he’s stopped at a light for a full iteration of green.

Tom wants an apology from Rachel and when he doesn’t get it decides to enact his revenge on her. He starts off by followings her aggressively on the road and later tracking down her friends and family to torture and murder. In between all of this, Tom rants and raves about how nobody takes responsibility for anything anymore and that the women who screw their husbands in divorce proceedings deserve what’s coming to them. Perhaps an observation on how the current climate has mutated the perceptions of man to act out more aggressively in a flawed system? Nope, he’s just the bad guy, his rants less coherent as the movie settles on him being your dime-store psychopath of stabbings and beatings. By that same token, Rachel is framed as such a good person that a brief allusion to her sleeping with a married man is never given much water. By their design, we want Rachel to get her revenge and we want Tom to suffer for his murders.

The film more or less delivers on these exaggerated promises. The few times when the terror takes to the road and Tom becomes a 4-wheel drive murder machine, the carnage he causes is quite brutal. He drives over a person who gets pummeled by an oncoming vehicle. A cop car is nearly ran off the road by Tom before a truck obliterates it apart. Tom’s non-car murders are also exceptionally bloody considering he makes use of butcher knives, butter knives, lighters, lamp cords, and a coffee cup. Her inevitable showdown with Rachel pretty much turns into a wrestling match.

Along with all these quality kills and fights, however, are the old thriller cliches. The film holds the hand of the audience at all times to let us know almost exactly what’s going to happen. Pay attention to Rachel’s scissors at the beginning of the movie as they might come in handy. Keep an eye on Rachel’s messy lifestyle so when her phone goes dead or trackable it’ll make sense. There’s even the old writing style of capping off the final kill with a callback in the form of a one-liner. Yet somehow I don’t think “Here’s your courtesy tap!” will become as iconic as “Always bet on black.”

What irks me most about Unhinged is the ending. Rachel is built up as someone dealing with divorce, poverty, stress, and is on the verge of losing her house and her kid. And what does Rachel get after all this torture from Tom? As another thriller bit of sorts, she learns not to honk at people in traffic because one of them may be a murderer who will come after you. This is not treated like a frightening fear to end the film on an ominous note but treated as a half-smirk moment, capped with Rachel’s son complimenting her on not honking. What a fun note to go out on! You’re still going through uncertain times and have too much on your plate, but at least you got to beat Russell Crowe with a golf club and didn’t die at the hands of a madman. So, yeah, that’s something.

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