"Small-scale, well-acted Western which uses rich, pictorial visual scheme. It almost feels like a mini-Terrence Malick effort, shot in a narrow aspect ratio and decorated with striking tracking shots and gorgeous "magic hour" images. The movie's biggest flaw is easily its all-too-generic title."
Nice to see a western with Native Americans as the central characters. This is a tragic outlaw romance, in which desert runner Willie Boy goes on the run with his lover in the early 20th century Californian desert, after accidentally shooting his lover’s father. The pair of star-crossed lovebirds are pursued by a hapless posse led by a depressed, alcoholic sheriff. The film’s focus switches between the squabbling of the tough-talking posse and the existential, almost dialogue-free scenes between the two lovers. This is a western that’s more about melancholic atmosphere than action, with beautiful shots of the sparse, unforgiving desert. It also explored the tensions between the races of the American West and shows a rather cynical view of the conventional western manhunt. As a warning for fans of Jason Mamoa, he has a very small part amongst the largely unknown but brilliant cast. This epic is proof that there are still plenty of stories to be told about the West.