Rent Patriots Day (2016)

sad event - Patriots Day review by gazmb

I enjoyed watching this film , but very sad that its based on events that happend to innocent people .

Emotional hug-fest biopic - but very bitty and uneven - Patriots Day review by PV

This is the sort of film aimed at making an audience cry - and it's full of male characters crying too, which is a very American fashion now.

It is an emo-fest really - telling the story (based on truth but how much so?) of the Boston bombing in which 3 people died.

Well, 3 innocent people killed and everyone hugs and cries and makes a movie about it. BUT how many people get shot dead every single week in the USA eh? I couldn't help thinking that when watching this.

The constant forcing of emotion through the film annoyed me greatly - all group hugs and man tears. Makes me wonder how we ever won the war (that's WWII actually). London endured 3 months of bombing from September 1940 every single night and 50,000 people died. Compare and contrast with this relatively minor event.

If you life self help manuals and group hugs, and like a good cry, then you'll like wallowing in this.

I did like the scenes hunting the terrorists and the interview with the suspect's wife - and women play a HUGE role in all these terrorist attacks actually, something feminists constantly want to deny as they blame men.

So it's all so-so. 2 stars.

Hit and miss - Patriots Day review by Alphaville

This is a film overawed by its subject matter – the 2013 Boston marathon bombing – and its need to pay homage to the heroes and victims. It’s more of a commemoration to Boston and its inhabitants than it is a feature film. The first half is awful, totally unfocussed and filled with banal backstory snippets and newsreel-type depiction of the marathon and the bombing chaos itself. It plays like Act 1 of a 70s disaster movie.

The characters’ real-life counterparts appear on camera themselves at the end of the film and provide moving testimony, but their on-screen portrayal is sketchy and mawkish. They say ‘I love you’ over and over again to plinky-plonk piano muzak you just want to stop. The score, by the normally brilliant Trent Reznor and Atticus Ross, is terrible.

But just when you think the film will never be anything but a drawn-out news bulletin, it changes tack and gathers momentum. The second hour develops into the search for the bombers and, as a piece of thrilling cinema, it starts to grab the attention. Director Peter Berg is at his best when he’s able to focus on these more contained confrontations and milk them for tension and thrills, as he did in Lone Survivor.

There are some exciting incidents that almost save the film, but then it returns to the mawkishness with which it began. American critics like this film, as they did Berg’s similar Deepwater Horizon, but they’re judging the concept rather than what’s on-screen. Perhaps it’s best viewed in this light, as a well-intentioned commemoration of a tragic event, its heroes and victims and even the city of Boston itself.