1966 BAFTA Best Black and White Production Design
Darling is one of my fave movies & I watch it again every few years. Everything so well thought out. Brilliant script, directing, cast, sets, costumes. Heartbreaking story with young Julie Christie, Dirk Bogarde and Laurence Harvey. Perfectly cast. Darling and Midnight Cowboy two masterpieces by John Schlesinger. The story is told in an interview with Diana (Julie Christie) who is an unreliable narrator. She takes the interviewer from her childhood to her first interview for a TV show, her modelling career, affairs and reinventions. There are breathtaking scenes with acting as good as it gets. I absolutely love a Darling and highly recommend.
Darling feels like Britain trying on the French New Wave for size—full of style, attitude, and sharp Mod fashion—but it’s more gloss than grit. Julie Christie is excellent as Diana (aka “Darling”), drifting from man to man, city to city—rootless, emotionally immature, and seemingly irresistible… until she isn’t.
Beneath the confidence, she’s clearly flailing, full of regret, more posturing than revolution. No surprise she won the Oscar—she nails that mix of charm, bravado, and quiet despair. Dirk Bogarde might be even better—he’s subtle, sharp, and just as deserving of his BAFTA. Whenever he’s on screen, he quietly takes over.
Schlesinger wants us to see Darling as a modern, sex-positive go-getter, but the film doesn’t always know how to treat her. Sometimes, it admires her; sometimes, it sneers. The narration tries to close the gap but ends up reinforcing the distance. I didn’t feel invited in—I felt like I was peering through a shop window at someone trying on identities like outfits—perhaps that's the point.
In the end, Darling is stylish, clever, and occasionally biting—but emotionally, it left me somewhere in no-man’s-land. Intriguing but not quite satisfying. It's a time capsule that’s still trying to work out what it wants to say and how to say it.